AERONAUT RECORDS

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THE SHYS

You'll Never Understand This Band The Way That I Do $12.99

For THE SHYS, it’s been an interesting and fun ride. Like the music industry itself, there have been ups and downs. But one thing that hasn’t changed is the ease with which The Shys make new fans.
After causing a stir in 2005 with their debut EP on Aeronaut, The Shys continued to impress with their first full length, Astoria, on Sire Records, in 2007. “Call in the Cavalry,” the first single from that album, has been prominently featured in MTV’s “Fast, Inc, “ as well as the HBO hit series “Entourage.” Recently it can be heard in the new Owen Wilson Film “Drill Bit Taylor.”
Now we have The Shys second full length album and it is in stores and available through all digital outlets right now! The Shys plan to head back out on tour to see old friends and to make new ones. And with the types of performances The Shys are known for, it shouldn’t be long before everyone knows them. And vice-versa.

THE SHYS

She's Already Gone - extended digital single

They tear up the stage with their fuzzed-up super-rock like the Who in the early days - ROLLING STONE

The Shys consistently and confidently churn through weighty layers of fuzz as if they want listeners to hear them sweat - SPIN

Their hybrid blend of classic American and British rock & roll. fight for melodic democracy and soulful sensibility. - FILTER MAGAZINE

ROBERT FRANCIS

One by One $12.99 CD/$14.99 12" vinyl LP

The debut record from Robert Francis is available in fine stores and in all your favorite online shops. And here, too.
While you're here, listen to a snippet from the title track "One by One".

"For young artists, the line between idolatry and ingenuity can be so murky sometimes that it's difficult to assert one's presence in a way that will set them apart. This is particularly a problem with young folkies, who are often burdened from the onset with tags like "the new Dylan" and such. Enter Francis, who, at 19, is certainly not doing himself any favors by modeling the cover art of his first LP after that of Dylan's third, The Times They Are A-Changin'. Luckily, Francis doesn't sound all that much like Mr. Zimmerman, and his choice of packaging should be taken as nothing more than a deferential ruse. The L.A.-native, instead, subscribes to a brand of folk more in line with that of Townes Van Zandt, Steve Earle and M. Ward, whose bright, gravely baritone Francis' most noticeably parallels. An incredibly gifted musician, who counts the drums, banjo, bass, piano, mandolin and guitar all as weapons of choice, he focuses more on traversing the minutiae of day-to-day life than on trying to change the world. Heartbreak finds its way into the bulk of the songs, but it's never precious to the point of nausea, which can't be said for most artists his age. As first efforts go, there's not much more you can ask for. Keep an eye on this kid." Kevin Kampwirth, CMJ

CD $12.99

LP $14.99

	CHELSEA DOLL	Nocturnal Baby EP Chelsea Doll's "Nocturnal Baby" is a true story from the streets of Los Angeles. "Silver Lipstick Girls" illustrates the sour savage call girls found in the L.A. X-press and in the back of the L.A. Weekly. Delicious glitter rock n roll pop. Born and raised in Hollywood, Chelsea grew up listening to everything from Frank Sinatra to Marc Bolan. And soon enough, she was sucked into the tempting world of rock n' roll. But Chelsea Doll didn't just listen to musicians...they were over at her dad's house everyday. By the age of twelve, she was writing songs of her own. At fourteen, she decided she was serious about her music and started recording. These 2 new songs feature the singular talent of Chelsea's co-writer and guitarist, Tommy Triant, and were produced by John Mastro. This is what a "Nocturnal Baby" sounds like.

HELLO STRANGER

self-titled $12.99 CD

• The debut from this Los Angeles-based electro-pop trio is simply one of the most engaging and entertaining records I’ve heard all year and one of the most promising introductions I’ve ever encountered. -In Music We Trust
• It's just a bit over two minutes long, but "We Used To Talk" is sentimental and heartbreaking enough that it's sort of difficult for me to get through on some listens. -Fluxblog
• ...dozens of standout moments on the L.A. quartet's self-titled debut, one of the most assured pop-rock records of the year. -Prefix Mag
• Hello Stranger could be world-class saviors of hook-happy pop music. The Star, Chicago Check out a tune here, bro.

	BIMBO DU JOUR	self-titled SALE $5.99 CD Bimbo Du Jour's debut album.
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